«Sometimes I also hate the finished work, but after it stays in the corner of my studio for a while and I look at it with fresh eyes, I´m like “Yeah, that’s interesting – I think I like it now.”»

Martin Lukáč Prague, Czech Republic.   Tell us a little about yourself, where did your work in the art world begin? I guess that it was a long time ago, probably when I was a child.  I first started to draw my favorite stuff – like Michael Jordan, Pokemon characters, Batman and Ronnie Coleman (my parents

Jana Schröder at Natalia Hug Gallery

Jana Schröder’s large-format paintings are developed through a performative practice between conscious composition and deliberate coincidence. Abstract images are accumulations of signs that refer to the artist’s personal gesture, unfolding into productive lives of their own. A constant theme is a line. Whether being a trace of a movement, a hasty doodle, or a script-

«No Panic Baby» by Leo Gabin

VNH Gallery presented the screening of Leo Gabin’s new film titled ”No Panic Baby” along with a presentation of recent works. Leo Gabin is a collective created in 2000 from the association of three artist – Lieven Deconinck, Gaëtan Begerem, and Robin De Vooght – all graduates of the Royal Academy of Fine arts of Ghent

«If I’m happy with a work I can often sit and look at it for a long while, thinking about how it can work in different contexts and settings, or just by itself.»

Kenneth Alme Oslo, Norway.   Tell us about yourself, how did your artistic career begin? I went to different art schools for a couple of years before I got admitted to the National Academy of The Arts in Oslo. I did both my bachelor and master’s degree here, with a stay at Städelschule in Frankfurt.

Josef Zekoff’s solo show at Sunday-S gallery

Josef Zekoff’s paintings occupy a shimmering interstitial space. They seem like hybrids of ornaments, maps and stick figures. They are probably easiest to identify by the labyrinth symbol, but this is a keyword that only increases the open questions. The term has long separated from its origins; it is said to have been coined for

My younger daughter often asks me: «Mummy, what is your favourite colour?» My answer: «Right this minute, mustard yellow, but it’s changing all the time…»

Yvonne Robert Zürich, Schweiz.   Tell us a little about yourself. Where did your passion for art begin? My passion for art began at such a young age that I can’t exactly remember. I grew up in an artistic family. My mother studied painting in Detroit and Munich and my father painted as a hobby. He worked principally as

«Instant Excess» at Rod Barton

Rod Barton is pleased to announce Instant Excess featuring artists Kristian Touborg (Denmark) and Moritz Wegwerth (Germany). A juncture has been reached in the contemporary moment of our society. The advent of fake news, information warfare, a web held hostage and the commodification of politics have left us in a maelstrom of images that conflict, saturate and construct