Four young and promising artists, making their mark on the contemporary art scene. At the start of this new art season, PLUS-ONE Gallery brings together Jenny Brosinski, Stevie Dix, Antwan Horfee and Tom Volkaert in a group show that honours their individual practice and their professional respect for each other. What binds them is not
«Maybe my paintings are just about being human in a time when being human too often seems taboo.»
David Matthew King New York, United States. Usually we start an interview with another question but the first thing that comes to our mind when started writing the interview with you: “Why your paintings look like a million dollars?” That’s a very nice thing to say, but I’m not sure I have an answer
«I want to paint, I have a lot of ideas and I want to work, for me paint is a really great part of my life.»
Marco Pariani Milan, Italy. Tell us your story. What resulting you in art world? I remember that drawing gave me wonderful sensation when I was child, I copied the drawings in the comic books with my pencil, and when some “marks” were pretty good, I was so happy. When I was even younger, my grandfather often bought
«I’m the eternal optimist. For me, optimism is essential in making art, as I never really feel defeated when something doesn’t work.»
Taylor Anton White Stafford, Virginia, United States. Could you tell us about yourself? Where did it all begin? I was born in San Diego, California, but grew up in Colorado and North Carolina. I was a terrible student in high school, and eventually joined the Marines. After about 9 years, I then decided that
Chris Hood in dialogue with Steven Cox
The interview is taken from HUNTED PROJECTS Steven Cox: Can you tell me a little about yourself, your background, and when you first started working full-time as an artist? Chris Hood: I am a bit peripatetic and like to keep on the move but am originally from Atlanta. I immediately moved to New York City after art
INTERVIEW | 50 YEARS WITH ART BRUSSELS
Interview with Managing Director Anne Vierstraete “I believe that Art Brussels has endured over the years because it has succeeded in staying faithful to its distinctiveness as a discovery fair, reserving a large part of the fair to the most emerging talents (…).” In the year of Art Brussels’ 50th anniversary, the quote by the
ARTIST RESIDENCY | interview with founders
“With space on offer to artists/creatives in London growing in price and exclusivity Artist Run has launched it’s artist residency program, giving an opportunity for artists to create and present their works. With additional support selected artists will be given time to explore their own practise and become involved in the local creative community. The
Interview | Mini Galerie
The interview was produced and originally published on ARTLAND At the age of 21, Julia van der Meer opened the doors to her tidy apartment in the city centre of Amsterdam. Upon the walls in her livingroom, works of art hang side by side, free for the public to explore. This marked the beginning of Mini
Fredrik Åkum – Limbo
Galleri Cora Hillebrand have recently presented the exhibition of new works by Fredrik Åkum. We are happy to share some photos of it with you.
COMING OFF THE WALL
In COMING OFF THE WALL, the three artists, Christian August, Mike Okay and Ingo Albrecht exhibit painted works that question the identity of the artist, the work, subjects and techniques. Their shared personal and professional histories are their starting point: all three artists are from Halle, where they came of age among the graffiti scene
«I Will Find You» — Maja Djordjevic
Dio Horia presents “I Will Find You”, an exhibition of works by Maja Djordjevic at the gallery’s Mykonian location from July 6 through August 1st. I Will Find You is Djordjevic’s second solo exhibition at Dio Horia. The gallery will host an opening reception on Friday, July 6th from 20:00-2:00 in the presence of the
RECOVERY | Christian August
In the solo show RECOVERY at SMAC Christian August showed 9 new canvases, which found their inspiration in the rough, sprayed walls of the city. It is a poetic translation of found everyday situations and observations in urban space on the canvas. A mechanical treatment of the surface and the spontaneous ductus dominate the work. Along with it August consciously sets abstract surfaces,